For most, glass is a matter of fact. It is a tool that has pervaded every aspect of our lives. Yet, there is a beauty to it that is hard to define. Beyond it’s utilitarian facade, there exists a nature of communication. If a piece of glass is formed in such a way as to convey ideas or to remind us of a story, but not refined for any practical purpose, than has this glass exhibited a function? Is there another perspective of what functionality means? These types of questions are the same sort of thoughts that lead us to the creation of glass narratives based on our most primitive humanity.
Perception and the adapting nature of self-examination takes one through intimate and deeply personal journeys as one asks, how have I become who or what I am. Some of the trials experienced are universal, and some are so private that a person may choose to hide from themselves.
In our work we use as many techniques as possible to arouse specific feelings. We use texture, shape and color to awaken hungers and desires. We use suggestive form to provide a framework for what we are trying to say, leaving something curious for the viewer to fill in with their own imagination. We use etching to soften pieces and strong colors to harden others. We use gold and silver fuming to capture light and reflect changing light. In many cases, we leave delicate transitions that beg the fragility of the piece, evoking the intimate nature of humanity, developing a longing for contact, and daring to be touched.
Perception and the adapting nature of self-examination takes one through intimate and deeply personal journeys as one asks, how have I become who or what I am. Some of the trials experienced are universal, and some are so private that a person may choose to hide from themselves.
In our work we use as many techniques as possible to arouse specific feelings. We use texture, shape and color to awaken hungers and desires. We use suggestive form to provide a framework for what we are trying to say, leaving something curious for the viewer to fill in with their own imagination. We use etching to soften pieces and strong colors to harden others. We use gold and silver fuming to capture light and reflect changing light. In many cases, we leave delicate transitions that beg the fragility of the piece, evoking the intimate nature of humanity, developing a longing for contact, and daring to be touched.